Archive for nanostudio

Touch Music Podcast Episode 3

Show notes:

Be sure to follow the podcast on Twitter @TouchMusicPC or like us on Facebook to keep up with the show!

iOS Music: Nomean – Newborn – Jinx Padlock Remix + Interview

newborn nomean jinx padlock

iOS musician Jinx Padlock has been producing under the streets of London for a year and a half now – picking up initial momentum on SoundCloud and landing on Tactal Hots Music for his debut E.P. Colonisation. Primarily producing inside of NanoStudio, the DAW of choice for many iOS musicians, Jinx incorporates a variety of iOS apps in his tracks, keeping the use of desktop software to a minimum and pushing the limits of what can be done on iOS. His latest release is a remix of Nomean by Newborn, read on to learn about production process for the track and what’s in store for his future…

juno download

How did you get the remix rights?

Since joining Tactal Hots Recordings last year I’ve been receiving the remixes emails from the company, always good stuff on there, and pretty diverse. I find remixing a good way of exploring avenues that are normally, sub-consciously hidden from my normal workflow, so I try and do as many as possible. It’s also a good way of keeping my profile active out there!

Explain the process from receiving the media to mastering a mix…

If I’m doing this purely mobile, which is 95% of the time, I’ll Dropbox the audio stems into Auria and from there chop out what I think I’ll need. Sometimes you’ll just get 8 bar loops, sometimes its full stems of the track. If its the full stems its good to get one last listen to the track as it originally stood. I have one simple remixing rule which I never break – once work starts on the remix, under no circumstances must I listen to the original until the mix is final and sent off. I find too closer a relationship with the source material offputting and counter productive – best to let instinct take the mix wherever it sees fit. Once I’ve got my samples roughly cut up, it’s copied into NanoStudio, where I’ll do the real intricate chopping and tuning. I try and keep it neat, I’ll bring most of it into a TRG to sort, then break those into drums, bass, fx etc. Its always a fight if you’ve got a lot of usable stuff to leave room for Jinx Padlock TGS! I treat it like a normal tune, working in the 8 bar loop, getting everything leveled and EQed, then adding parts to it from iOS synths. I sometimes get supplied with MIDI by the original artist but have never used it, I think its better to create something new. I do all my MIDI work in Cubasis, I like the clean approach to hooking synths up. I’ll play stuff into Magallen, NLog, Animoog etc and either directly ACP into NanoStudio, or take them through Audiobus. My main workflow of choice regarding Audiobus is usually going through one of two effects – LiveFX or JamUp. I’ve actually been having a lot of fun with the JamUp amplifier simulations. Great for adding a crispy live feel to sound. Its a perfect device for the DM1, which pretty much takes care of all of my drum needs these days – get a pattern looping and fire it through a marshall stack. LiveFX is great for FX performance – just jamming FX into AudioShare, sometimes you capture some real magic. When I’m happy that I’ve got enough ammunition in the 8 bar loop, and after trying a few dropouts in the mixer, I’ll start to populate the song arrangement. It was pretty clear from the moment I sampled it that the vocal was going to be the hook, line and sinker of this tune, so it was a matter of getting to it in an interesting way, then letting it rip over some building synths. It was a fairly painless arrangement, I was happy to let it fall into an almost standard club tune and resisted the urge to go into crazier territory, it was working and grooving along so nicely – those vocals were getting me quite excited, needed to finish it! The mix took 4 days of commuting to completely arrange and mix, about 9 hours. I was really happy with Newborn from a clarity point of view – impressed with getting this amount of punch and flow out of NanoStudio‘s mixer. I never master directly on the track in NanoStudio, preferring to leave a -3/-6 db headroom and no compression, then get it into Auria to push it through the master bus. I find the key to that process is ignoring any of the preset mastering setups and starting from scratch. Every track is different so every track deserves a individual master. Newborn was a fairly easy final, no need for any extra EQ on the stereo track itself, it all went through the master bus. I tend to then live with a tune for a day or so, listen to it on a few different devices – ALWAYS the car stereo – learned this years ago from a professional engineer, even better than NS10s – if it sounds good on a standard car stereo, you’ve pretty much got it! Once I’m happy, it gets dropboxed to the label and, if passed, off to the distributors. Then, I wait…

Any other remixing in the pipeline?

There is a mountain of JinxPadlock mixes hitting this year, almost one a month, I’ve been really busy with it, almost forgot to get my new E.P. finished! There’s a few remixes that I’m really happy with, both new acts, exciting stuff – Pop-Up Machines, mixed two of their tracks, Fools in a Goldfinger Bond style, the other Good Clean Woman in a more bouncing breaks / house groove, great tracks to start off with, lovely vocal performances. Another is an act called OhBoy, I’ve remixed their track “Berlin”, taken it into a dark techno space, again driven by it being an excellent tune originally. Going to be fiddling with another of their tracks soon. Just finished mixing Eick – “Tattletail” – something that I discovered one day in my SoundCloud stream and instantly loved – pestered Eick for the parts and made a massive acid mess of it! I also plan to have another bout of remixing other iOS / NanoStudio / SoundCloud users stuff like I did last year, it was a lot of fun and quite revealing to see how differently people were using the software. I’ve already got my eye on a couple of candidates! Must finish the new Jinx Padlock e.p. first, not far off now, you’re in for a very loud treat!

You can follow Jinx Padlock on Twitter, Facebook, and SoundCloud to keep up with his new tracks and thoughts on iOS production.

Inside the Mind of an iOS Musician: JINX PADLOCK – Egyptian Prescription NanoStudio Project

Jinx Padlock is a mad scientist.

A great way to become familiar with a piece of software is to explore projects of already completed productions. iOS musician Jinx Padlock (SoundCloud) has shared with me his NanoStudio project file for his latest track EgyptianPrescription:

Here’s what Jinx had to say in regards to the project:

“When Sean asked me if I would like to share a NanoStudio project with the community, I instantly looked to my back catalogue and just couldn’t decide on a suitable example.
EgyptianPrescriptian is my latest release into the wild, so its fitting that its the one that I let you all examine and play with.
So – all the channels are set up with the EQ from my mix that is on Soundcloud, the arrangement is untouched, but the twist in the tale, and just to make this more fun for me and challenging for you – I have flattened all the mixer channels. You too, can now experience the pain of balancing out a mix around those massive NLog bass pads!

Please feel free to remix it, pull it to pieces, take what you will within reason! And, obviously, please let me know when you’re done!”

You can download the .NSP file here! Good luck!

Also: check out Jinx Padlock’s debut EP!

Follow Jinx Padlock! SoundCloud, Twitter, Facebook

iOS Music: Jinx Padlock Colonisation

iOS Musician Jinx Padlock has released his debut EP, Colonisation! All made with NanoStudio for iPad!


An iOS Musician Interview: BitBurner

BitBurner‘s signature sound, dubbed VGDM or “video game dance music,” incorporates loads of samples from classic video games that’ll really make you feel like you’re in a musical arcade. Give him a follow him on Twitter and SoundCloud to keep up with his new tracks! You can also download an 8 bit arcade sample pack from him, for free, here!

Bonus: Get inside BitBurner’s head as a producer and a user by explore the NanoStudio project for his track Left Right Thrust Fire!

Tell us a little bit about you and your music!

My name is BitBurner, I’m from Bakersfield California, I’m 41, happily married 19 years, father of 2 girls 12 and 8. Professionally, I’m a network engineer and when I’m not working or playing Mineraft with my daughters I make music out of old classic video game sounds. I like to call it VGDM (video game dance music). I grew up in the height of the 80′s video game/arcade boom. I was a “latch key kid”, meaning I didn’t have much supervision after school. I hung out at the arcade at the mall where my mom worked in a dept store. I stayed till it closed almost everyday. There was also a huge arcade just a few blocks from my house. So with no supervision I spent a lot of time at arcades. So most my music is tied to my childhood and that nostalgic feeling I get when I hear those classic 8bit arcade sounds from some of my favorites like Galaga, Donkey Kong, and Asteroids. I like that arcade noise you know what I’m talking about? It’s music to me.

What got you started on iOS?

Last Christmas I used my work bonus to get an iPad2 and I soon discovered there were some really powerful music apps. Some I had used before on my PC like ReBirth or in real life like iElectribe or KORG iMS-20 but having it all in something I could take anywhere blew my mind. I must have spent $150 on music apps in the first week I got the iPad. I think my iPad has something like 6GB of just music apps, samples and projects on it. I even been known to delete games I really like just to make room for more music stuff haha…

What apps are you using to get those 8 bit sounds?

Well I have a couple of tricks but most of my sounds are from the ROMs of actual arcade games from the 80′s. I have an extensive MAME (Multi Arcade Machine Emulator) ROM collection of well over 7000 working games. I use a program on my PC called M1 to extract sounds as WAV’s from those ROMs. I throw those onto sample pads in NanoStudio and I’m halfway there. Another trick I use is create my own synth patches based on simple saw or square patterns and double them at different octaves (classic chiptune trick) or actually load up some old Atari 2600 bass noise samples as the sample on my custom synth patch. I also use a program on my PC called SFXR to create just about any 8 bit sound I need. I used it to make a free sample pack you can get here. I use a ton of those samples in that pack in my productions.

What would you say are your top three iOS music apps?

NanoStudio has to be at the top for sure. I use it by far the most. It’s a full production studio literally in my hands. It beats sitting at a desk at a DAW trying to be creative. I can take it with me and produce something at the park or while laying down relaxing. Some of my best tracks were done in the car on the way back from Disneyland. I don’t see me doing much without it. NanoStudio on my iPad has put me back in touch with my music with all the pun intended.

Second would be have to be TouchOSC. Before I got my Novation Launchpad I was using TouchOSC more as a full midi controller for Ableton Live stuff but it’s still great as a second controller. I can keep the Fx Screen up and then not have to worry about switching screens on the Launchpad. I’ve only released a few tracks done in Ableton as most of what I’m doing is prepping for live events coming up next year.

Third is a tossup. There are so many great apps it’s hard to choose. But if I have to choose one it would be nanoloop. It’s the closest thing to a mod tracker or LSDJ on iOS. I’m waiting for a full old school tracker like Milky to be ported but until then this will have to do. There is a pretty big learning curve along with a strange interface but it will make chiptunes. I’ve used some small elements in my productions via AudioCopy feature right into NanoStudio. But I have to say I use a lot of different apps. Especially if they support AudioCopy!

For those live gigs you’ve got planed, are you going to incorporate your iPad in at all? If so, how? Will we get to watch?

I do plan to use it live in two ways. One will be with TouchOSC to handle my effects in real time and they other will be NanoStudio to do some live creation stuff. This is where I’m trying to mesh Ableton and Nanostudio and I’m doing it by syncing midi clocks. I’m doing some cool stuff that I have wanted to do for along time but was never within my budget or grasp. I hope to go straight into a board wherever I am get a nice dat copy. I’ll have to borrow my friends as that is a piece of equipment i’m missing but you got me thinking maybe I can do it on a spare iPod :) But my overall goal/dream is to do some sort of tour to arcades all across the U.S. It might be a short tour as there are not many left. But there are some greats I would love to play like Twin Galaxies of course and Insert Coins in Las Vegas.

What’s one app or feature of iOS that you’re hoping for?

Wow that is a hard question because I was just talking about how a proper mod tracker is missing from iOS but I would have to say more VST support. There are some things I miss from the my Ableton setup like VSTs and automation. I would love to be able to do side chaining. Rumor has it Matt Borstel is working on something new (NanoStudio 2?!?) and I’m very excited about that. NanoStudio has some great potential to host these kind of features so I can’t wait to see what he comes up with.

Lastly, what’s in store for BitBurner? Do you have surprises for the
coming months?

I have a lot of half finished tracks, non starters, etc that I would like to finish up soon. Sometimes I start a whole new one and finish it in a day (like today with “Remember Dont Shoot Food”). So you can expect a steady flow of free CCA licensed music to download as I have plenty in the que at the moment. If you have not figured it out also I’m a big believer in free art, and being in the public domain. Pretty much all my music is CCA licensed. Also I have hooked up with some similar artists to possibly put out some sort of sampler EP of VGDM and get it out there in all the online music stores etc. Maybe donate the profits to a charity like ChildsPlay. Keep a watch on my channel!

Follow BitBurner: TwitterSoundCloud

Follow iOS Musician: @iOSMusician | Facebook | Google+ | Feed | YouTube | SoundCloud

List of Free iOS Synthesizer Preset Packs

I’ve keep finding more and more free synthesizer preset packs, so here’s a list to keep track of them all!

List last updated: April 26, 2013

Are you aware of any missing packs? Did you make you’re own free packs? Leave a comment below!

App Sound: Guitar Pack for NanoStudio & BeatMaker 2


Producer pack with over 340 guitar samples (loops, hits, fx), 17 projects (song starters 60 – 140 bpm, 17 drum loops (bonus) for Intua BeatMaker 2 (iOS).

Via PayPal only ~$6.52 / 4.99 €.

Available for NanoStudio and BeatMaker 2.

NanoStudio on the NanoStudio - Blip Interactive Ltd
BeatMaker 2 on the BeatMaker 2 - INTUA